Notes from the first "Writers Room" meeting this afternoon.
THE CITY
- Chicago?
- New industrial center in the middle of an agrarian region
- Some new corn-based industrial material?
- Nation undergoes a civil war -- Capitalists vs Communists?
- City & surrounding region is on the losing (Communist?) side
- New political leadership / tight control imposed on the city
- Surrounding (rural) areas still have rebellious sympathies
- A city surrounded -- like West Berlin
- Industry is centralized & can be controlled, but new media (radio) is decentralized
- New establishment has political / military authority, not popular support
- Pre-war establishment becomes post-war crime world -- still part of the system
- "Underground" rebellious movement led by new, tech-savvy generation -- anti-system
- Radio is ephemeral (difficult to record) but pervasive
- Public spaces with state-sponsored radio broadcasts
- Grafitti "tagging" public radio feed
- Covered city? High-society up top, criminal element rules below?
- Good excuse for noir lighting!
- Gadgets: Dictation typewriter, radio earbuds, signal jammers
- Technology paranoia
- Weaponized radio -- Pain Ray
- Secret frequencies, codes
- Anonymization
- Ownership issues -- Remix Culture
- Who creates news? Who controls information? Who control access?
RICK WARD
- Grew up on pulp comics about soldiers
- Came from the upper echelon, but has internally fallen
- Served in the big civil war.
- Spy that went undercover and had to betray the other side, even though they treated him better.
- Professional contacts in the establishment; personal contacts in the underworld.
- Hero for something that he didn't believe in.
- Hardened and disillusioned.
- Out of war, became a PI -- still wants the idea of the pulp comics "heroism"
- Interesting relationship with violence.
- MO: aggressive
- Flaw: Inability to follow through on his ideals.
- Afraid of the potential of weaponized radio technology.
MILLS LAWSON
- Newspaper princess
- Younger -- the underground radio generation
- Given name: Mildred -- very Victorian background / upbringing
- Comes from wealth, class; emotionally distant parents
- Epitome of the generational gap
- Grew up listening to radio plays about detectives
- Personal rebellion (vs parents) parallels political rebellion
- Who owns newspapers? Who controls information?
- Radio is a way to express this independence
- Underground radio reporter -- the Wikileaks of radio
- MO: charming, "trustworthy," sets conversational traps
- Quietly outsmarts everyone
- Stealth (Jade from BG&E)
- Introduced to radicalism in college
- Started to become big BUT wasn't prepared for the consequences
- Lost her radio equipment; must stay anonymous
- Unwilling to start over completely, thus retains "Mills"
- Back in college, went by a different handle
- Play-on-audio? Analagous to play-on-text handles
TOGETHER THEY FIGHT CRIME
- Backstory: Rick was hired to find her -- dangerous radical element
- This time, he doesn't turn her over
- Compromise: burn down her radio equipment, she goes into hiding
- They team up -- he can't take action in her world
- He sees in her something he wanted to be
- Acting for peace / social change through non-violence
- She represents his idealized version of "heroism"
- He can teach her to be a detective
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